External Flashes

Benefits of using an external flash

Written by Brett Turner

Despite their weight and size, external flashes have many advantages over built-in digital camera flashes.

Photo taken with direct flash

Still life taken with direct flash creates flat light and strong shadows. Photo by James Jordan.

Most compact cameras and digital single lens reflex cameras come with a small built-in flash controlled by the camera. They are convenient, lightweight, automatic and have red-eye reduction.

However, unlike an external flash, a built-in flash lacks creative control, is not very powerful and at times light output can be harsh light. Because of their position close to the lens, built-in flashes often cause red eye.

You give up some convenience using an external flash, but it solves many of the problems the result from using a built-in flash.

Directionality

Directionality is the greatest advantage of the external flash. If the external flash tilts and swivels, it can bounce off a larger surface and the light becomes very soft and directional.

When light comes directly from the camera, we call the light flat. Flat light is okay; but it may cause shadows around subjects and make people look flat and shiny.

Photo taken with external flash bounced off a ceiling

Photo taken with external flash bounced off a ceiling creates more natural, soft lighting. Photo by James Jordan.

If the flash is bounced up off of a low ceiling, there will be shadows, but will be in the places we would expect. If the flash is swiveled to one side and bounced off of a neutral colored wall, then the result can be an attractive sidelight.

External flashes prevent red eye

Red eye occurs because light from the flash comes from roughly the same place as the lens, hits the back of the eyes and bounces straight back. Red eye reduction tries to fix this by firing pre flashes to constrict the pupil, which makes the redness smaller, but not disappear.

External flashes generally eliminate this problem simply because of their distance from the lens. An external flash prevents red-eye by altering the angle that the light travels. It also does this by bouncing the light off of a ceiling or wall.

The power of an external flash

The most obvious advantage of an external flash is power.  More power gives a greater range and it illuminates a larger area.

An external flash has its own set of batteries enabling it to recycle (recharge and be ready) faster. This has two benefits over built-in flashes: you can take more shots instead of waiting for the flash to recycle and the flash won’t drain the cameras batteries.

A larger size flash is better

Admittedly an external flash is larger and more bulky than a built-in flash. If you attach one on a compact camera with a hot shoe, the flash can weigh more than the camera.

However, the size of an external flash is part of its advantage.

Think about a portrait studio. Photographers use large strobes and even larger softboxes and umbrellas. The reason is that softness of light is a function of how large the light appears to the subject.

In the case of an external flash, the flash head is already four to ten times the size of the built-in which makes light emitted from it softer.

Portability

An external flash can also be removed from the camera and fired from a different location. Dig deeper in your wallet and get an off-camera cord or an ir/radio remote. Then a compatible external flash can be placed almost anywhere. This kind of creative freedom opens up possibilities for lighting schemes.

Important note: This article deals with modern flashes from the cameras manufacturer.
Some older flashes (pre 90’s and especially 70’s) use a trigger voltage from 12 to 350 volts.  Modern digital compacts and DSLRs can’t handle this kind of power (nothing over about six volts) and should never be used with older or aftermarket flashes.

Photos by James Jordan

About the author

Brett Turner

Brett Turner is the owner of Brett Turner Photography of Watkinsville, Georgia. His diverse portfolio includes weddings, family portraits, school portraits, church photo directories, corporate advertising, events, and nature photography.

For the past 15 years, Brett has served markets in Georgia, South Carolina and Virginia, always delivering high standards both artistically and in service to clients.

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